Connecting the artistic community, diverse programming, engagement and education.
With strong roots in Kingston’s arts and entertainment scene going back almost 150 years, countless stirring performances have come to life downtown at the Kingston Grand Theatre; their echoes tangling around seats, drifting down from the rafters, and filling the versatile spaces with laughter, tears, triumph and tragedy. The Grand is intricately woven into the fabric of the city, continuing to enrich audiences as a beacon on the arts landscape. Building on that robust heritage, the Kingston Grand Theatre is poised to carry on thought-provoking and downright entertaining programming for years to come – and to foster lasting community connections along the way.
The Kingston Grand Theatre started out as Martin’s Opera House in 1879 and has been a fixture of the Kingston community ever since. During that time, it has presented opera, music, vaudeville and movies. It was threatened with demolition in the 1960s but was saved by a concerned group of Kingston residents who convinced the City of Kingston to take over its ownership. Since then, the facility has been renovated multiple times with the most recent renovation completed in 2008. It includes two performance spaces — the Regina Rosen Auditorium which seats 775 people and the Baby Grand Theatre which can accommodate up to 100 people depending upon how it gets configured. The theatre also includes a number of gathering spaces and is used as a performance space and a venue for meetings, festivals, weddings and celebrations of life. There may also be a deliciously eerie side to the theatre: staff say some people believe the Kingston Grand Theatre is haunted by the ghost of Ambrose Small, a self-made millionaire and theatre magnate, who owned the building around the turn of the 20th century and who disappeared under mysterious circumstances after selling off all his properties in 1919.
The Theatre has been an integral part of the city for so long that it’s recognized as a place to experience an incredible range of in-person performances and events. It has also been widely used by the community over the past 50 years and that means there are a number of people who have not only attended performances and events at the Kingston Grand Theatre but they have also had the opportunity to be on stage as well. The facility has also been home for decades to organizations like the Kingston Symphony and is the preferred venue for many students’ groups associated with Queen’s University who embrace the opportunity to host performances and events inside a building with such history. The diversity of programming — community, commercial and curated — also means there’s always something to appeal to a vast diversity of tastes and interests across a range of ages.
Grand OnStage offers a variety of engagement programs for patrons including pre-show conversations, post-performance “talkbacks”, workshops, master classes, lectures, and more. These bespoke programs provide patrons and community members with unique opportunities to connect directly with visiting and local artists, explore the art form in greater detail, and learn from professionals in their field.
The Kingston Grand Theatre is also proud to be continuing its relationship with Grandmother Kathy Brant who is the Elder-in-Residence for Grand OnStage. This position was introduced back in 2018 as part of moving forward on a shared path of reconciliation and providing additional learning opportunities to patrons and artists, alongside Indigenous programming and performances that are part of the Grand OnStage season.
Grandmother Kathy is Mohawk of the Haudenosaunee Six Nations Confederacy and has worked with Indigenous communities for close to 25 years. In her role as Elder-in-Residence, Grandmother Kathy developed a land acknowledgement that is read at shows and available on the website for patrons to read and reflect on. She attends Grand OnStage events where she shares her knowledge and traditional teachings, provides traditional medicine to patrons and artists and increases awareness of Indigenous culture.
For more information about the Kingston Grand Theatre or for tickets, please visit www.kingstongrand.ca, call the box office at 613-530-2050 or find the theatre on Facebook, Instagram or Twitter.
For this piece, South Eastern Ontario connected with staff as part of the Arts & Culture Services at the City of Kingston, who manage and run the Kingston Grand Theatre, present the Grand OnStage season and provide local artists development opportunities at the venue. These staff members include Colin Wiginton, Director, Arts & Culture Services; Dianne Zemba, Manager, Kingston Grand Theatre; Danika Lochhead, Manager, Arts & Sector Development; Jayson Duggan, Performing Arts Manager, as well as Jenny Pedler, Program Coordinator.